Lord of the Rings: Gollum launches this week, and here’s the PCG review. Plenty of other outlets have published theirs, however, and wow: This game is taking an utter, utter beating. Gollum’s PC version currently stands at 43% on Metacritic, while the PlayStation version’s on an even-more abysmal 37%. The Guardian’s Nick Reuben goes straight in with both feet, awarding the game one star (out of five) and leading with the strapline: “boil it, mash it, stick it in the bin”.
PCG sister site GamesRadar+ was equally disappointed, awarding it two out of five stars and saying “the overwhelming result of all of these compromises is a muddy, miserly vision of Middle-Earth, and one which never truly connects as a compelling fantasy playspace”. Gamespot gives it a two out of 10, noting simply “we don’t wants it, we don’t needs it”. Pushsquare is another two out of 10, calling it “a broken mess of a game”.
Twinfinite gives it 1.5 out of five, wondering “if even the most loyal Lord of the Rings fans would actually find something worthwhile here”. Inverse is a three out of 10, calling the game “as pitiable as its namesake.”
Game Reactor joins the chorus and awards the game 4 out of 10, calling it “shocking at times. The gameplay is flat and repetitive, the stealth poorly implemented, the narrative dull, the progression nonexistent, the character models ugly, the bugs plentiful, the list goes on […] Someone should cast it back into the fires of Mt. Doom from whence it came”. So I don’t think they liked it.
TheGamer liked some elements, such as the in-game lore explanations and certain character designs, but ultimately awards it 1.5 out of 5 and says it’s “as dull mechanically as it is aesthetically. The stealth missions are as dated as the character animations, forcing you on many an escort task as well as hiding in shadows aplenty. Throwing rocks to distract guards ceased to be innovative or interesting a decade ago”. Well Played’s reviewer, meanwhile, awarded it three out of 10 and said that after 12-15 hours of play they just “couldn’t take anymore”.
It’s a three out of 10 from PCGN, whose reviewer bemoans that, instead of a grand LotR fantasy adventure, “I was stuck in a dreary platformer with weak stealth game mechanics and a deeply uninspired plot”. GG Recon says Gollum “puts the mid in Middle Earth” as it awards the game two stars out of five, while GameSkinny gives it four out of 10, saying “Outdated and plain bad mechanics simply mean that this title, much like the Balrog, should go back into the shadows.” Gfinity? Two out of 10 and the winning strapline “Sauwrong”.
There are a few scores that aren’t quite as dire as the above, but the highest this game seems to have managed, even with reviewers who found elements charming, is the 60s and low 70s. Our review reckoned there is something to like here, saying that “much like its boggle-eyed protagonist, one half is pragmatic but prickly and sometimes cruel, the other starry-eyed and eager to please.”
It should be said that the PlayStation versions do appear to have more technical issues than the PC one, and several of the reviews based on PlayStation code dock the score for these, but a whole lot of folk seem to think this is a serious misfire from Daedelic. I never really understood why The Hobbit needed three films. But it looks like Gollum couldn’t even manage one half-decent game.